Thursday, 19 June 2008

Madonna's 1985 Look-Alike No Longer Rocks The Lace Gloves, But She's Still Madge's Biggest Fan




Imagine a time when mesh was in, hairspray and a teaser brush were weapons of choice, there was lace on everything, and hundreds of young girls emulated a certain "Like a Virgin" pop star. The year was 1985, and Madonna ruled the world.

To commemorate the release of Madonna's 11th album, Hard Candy, MTV News decided to track down the girl who best embodied the essence of the Material Girl back then, the winner of a 1985 Madonna look-alike contest held at Macy's in New York.

In the picturesque neighborhood of Whitestone, New York, stands a quaint little house. An attractive blond woman wearing a white top, a pair of jeans and heels opens the front door while pitter-pattering feet and a squawking bird make noise in the background. She looks like a typical mom, minus the "mom jeans," but she was the strutting, pouting, rosary-wearing winner of the Madonna look-alike contest 23 years ago.

Then-16-year-old JeanAnn Difranco became the envy of teen girls everywhere when the judges — including Andy Warhol, MTV VJ Nina Blackwood and "Madonna: Lucky Star" author Michael McKenzie — named her the winner. She received tickets for the following night's Madonna concert at Radio City Music Hall and gained nationwide fame as the best Madonna look-alike around.

MTV's search for Difranco was a bit daunting, due to a little spelling mistake. There was an all-out search for Jean Anne Difranko, not JeanAnn Difranco. Needless to say, two spelling errors can lead to a week's worth of dead ends. After some experimentation with the spelling, the name and location of one of Madge's most devoted fans finally popped up on the computer screen.

These days, JeanAnn has traded her bangles for a wedding ring and her hairspray for a curling iron. The supreme Madonna body double got married (she is now JeanAnn Perzan); owns a cat and a bird; and has two children, 10-year-old Angelo and 6-year-old Gianna. But don't let the family and the different look fool you: She's still a die-hard fan of the Material Girl, and she's got the pictures, albums and magazine clippings to prove it.

"I used to rock the crucifix, the lace gloves, the Madonna mole," Perzan said. "Now, I rock two kids, a husband and pets."

The decor of Perzan's home is simple yet elegant, with no remnants of '80s style in sight. But her dining room table is piled with memorabilia from her Madonna years, and a framed collection of photographs featuring her different Madonna poses is in plain view.

In addition to her nicely coordinated outfit, Perzan donned a large gold crucifix necklace, a throwback to her look-alike days.

She beamed as she spoke about her teen years idolizing Madonna. She expressed pride in being a part of Madonna's history, but nothing brought more smiles to her face than watching footage of the look-alike contest in '85.

Perzan passed her adoration for Madonna to her children. Angelo knows all about his mother's love for the pop icon, and little Gianna even resembles Madge's own 11-year-old daughter, Lourdes. Dressed like a little Madonna look-alike herself, Gianna was wearing a lace dress, a crucifix necklace and the quintessential '80s Madonna accessory: the lace glove.

Perzan has never missed a Madonna concert, even when she was pregnant, and she was thrilled to purchase Madge's new album. Perzan enjoys her life as a wife and mother, but there's still one chapter left unfinished from her days as a Madonna look-alike.

"Madonna, 23 years ago, I dressed like you," she said. "I did everything to look like you. I won a contest and thought I was going to meet you. I never did. If you're watching this, I want to meet you. Make my dream come true!"






See Also

Wednesday, 11 June 2008

Nancy Wilson

Nancy Wilson   
Artist: Nancy Wilson

   Genre(s): 
Vocal
   Other
   R&B: Soul
   Jazz
   



Discography:


Music for Lovers   
 Music for Lovers

   Year: 2007   
Tracks: 12


Elisabethtown Ost Jazz   
 Elisabethtown Ost Jazz

   Year: 2005   
Tracks: 13


Greatest Hits   
 Greatest Hits

   Year: 1999   
Tracks: 1


Ballads Blues and Big Bands (Disc 3)   
 Ballads Blues and Big Bands (Disc 3)

   Year: 1996   
Tracks: 20


Ballads Blues and Big Bands (Disc 2)   
 Ballads Blues and Big Bands (Disc 2)

   Year: 1996   
Tracks: 20


Ballads Blues and Big Bands (Disc 1)   
 Ballads Blues and Big Bands (Disc 1)

   Year: 1996   
Tracks: 20


Keep You Satisfied   
 Keep You Satisfied

   Year: 1989   
Tracks: 10


Rare Songs Very Persona   
 Rare Songs Very Persona

   Year:    
Tracks: 12


But Beautiful   
 But Beautiful

   Year:    
Tracks: 10




Diva Nancy Wilson was among modern-day music's nigh fashionable and sultry vocalists; patch often crossing over into the pop and R&B markets -- and regular hosting her have telecasting smorgasbord plan -- she remained charles Herbert Best known as a nothingness performer, famed for her put to work aboard figures including Cannonball Adderley and George Shearing. Born February 20, 1937, in Chillicothe, OH, Wilson first attracted posting playing the ball club circuit in nearby Columbus; she apace earned a ontogenesis reputation among jazz players and fans, and she was recording regularly by the later '50s, finally signing to Capitol and issue LPs including 1959's Like in Love and Nancy Wilson with Billy May's Orchestra. Her dates with Shearing, including 1960's The Swingin's Mutual, solidified her standing as a gift on the rise, and her subsequent work with Adderley -- arguably her finest recordings -- further cemented her ontogenesis fame and reputation.


In the days to follow, however, Wilson ofttimes affected forth from idle words, practically to the mortification of purists; she made legion albums, many of them properly categorised as pop and R&B outings, and toured extensively, appearing with everyone from Nat King Cole and Sarah Vaughan to Ruth Brown and LaVern Baker. She regular hosted her have Emmy-winning variety series for NBC, The Nancy Wilson Show, and was a haunt client performing artist on early programs; hits of the time period included "Assure Me the Truth," "How Glad I Am," "Peace of Mind," and "Forthwith, I'm a Woman." Regardless of how far afield she travelled, Wilson always retained her connections to the malarkey reality, and in the 1980s, she returned to the music with a payback, working intimately with performers including Hank Jones, Art Farmer, Ramsey Lewis, and Benny Golson. By the nineties, she was a favorite among the "new grownup contemporary" mart, her expressive style ideally suited to the format's penchant for succulent, amorous ballads; she too hosted the Jazz Profiles series on National Public Radio.


In the early 2000s, Wilson recorded deuce albums with Ramsey Lewis for Narada (2002's Meant to Be and 2003's Simple Pleasures). Her 2004 album R.S.V.P. (Rarified Songs, Very Personal) was a portmanteau word of straight-ahead malarky and ballads, similar to her next record, 2006's Turned to Blue, which, like R.S.V.P., used a dissimilar player for each lead. In 2005, Capitol released a three-part series to pay testimonial to Wilson's contributions to music in the '50s and '60s: Guess Who I Saw Today: Nancy Wilson Sings Songs of Lost Love, Save Your Love for Me: Nancy Wilson Sings the Great Blues Ballads, and The Great American Songbook.





Jim Dolan's band helps kidney foundation

Thursday, 5 June 2008

Lord of the Rings heirs sue New Line Cinema

The heirs to the estate of author JRR Tolkien are suing the producer of 'The Lord of the Rings' movies, New Line Cinema, over profits from the blockbuster trilogy.
The trustees of the writer's British charity, The Tolkien Trust, and the original publishers of 'The Lord of the Rings', HarperCollins, have cited a failure to pay a contractually agreed 7.5% of gross profit for the three films based on 'The Lord of the Rings' novels.
They are seeking in excess of $150m in compensatory damages, unspecified punitive damages and a court order giving the trust a right to terminate New Line's rights to make more films based on the author's writings, including 'The Hobbit', according to the statement.
The suit follows 'Lord of the Rings' director Peter Jackson's lawsuit against New Line for underpayment that was settled in December. When that deal was finalised, Jackson signed on to be executive producer of 'The Hobbit'.
New Line, a division of global media conglomerate Time Warner Inc, declined to comment on the new suit.
A statement from the trustees said: "New Line has not paid the plaintiffs even one penny of its contractual share of gross receipts despite the billions of dollars of gross revenue generated by these wildly successful motion pictures."
"To make matters worse, to date New Line has even prevented the plaintiffs from auditing the last two films of the series."
The trustees were paid an upfront fee of about $62,500 in an "upfront sequel fee" and nothing more, trustee spokesman Lonnie Soury said.
The three movies, 'The Lord of the Rings: The Fellowship of the Ring', 'The Lord of the Rings: The Twin Towers' and 'The Lord of the Rings: The Return of the King', took in nearly $3bn at worldwide box offices.